Tarantino successfully reveals his persona in his films as his passion for film production truly comes from his soul and his own knowledge and understanding of the world and the medium of film itself. The use of realism in his films are what truly makes his work so amazing as the emotions shared through the film are all done with tools from the world itself. These subtle artistic modifications create a whole new level of “Auteur” and set his films apart from others within his genre. He utilizes Western, martial arts, anime horror and even French New Wave along with pop soundtracks to allow the audience to implicit and cinematic meanings within his films. Tarantino developed his signature film style as he group up working in theatres and as a video store clerk where he has used all genres he grew up with collaboratively to make the most unpredictable source of art and entertainment for his viewers. Tarantino uses many other auteur elements in his films to grab the audience’s attention such as his use of quick editing cuts of hands in action and also his unique use of close up shots where the main identity in the frame is untraditionally facing away from the camera. Jackson and John Travolta to add the anxious sensation of feeling dominated to his audience. That being said, Tarantino utilizes his auteur skills to connect his audience emotions and diegesis of the film to make them feel like they could be in the film themselves, such as the famous Trunk shot in Pulp Fiction where the camera was in the trunk and looking up and out at Samuel L. He connects all of his films using shots and camera angles to evidently show his creative unity across all of his films, an example could be his use of naturally existing frames such as doorways and windows to capture key moments of his films. Tarantino has expressed technical competence in all of his films and raised the bar since the concept was first introduced. This auteur theory was introduced and modified by Andrew Sarris who created this Americanized definition of this key concept that represented the use of a single filmmaker or director to collaboratively control all elements of the film. The auteur theory was originally created in French film criticism in the late 1940s as a value system that referred to filmmakers or directors with recognizable style and thematic ethics. He uses a variety of camera angles and shots to capture graphic unpredictable bloodshed in his films that create cinematic meanings that manipulate our understanding of the film to help us understand what emotional connections Tarantino wants to draw from his audience. His use of mis-en-scene creates settings and connects to realist theories where he brings his story to life. His artistic nature of violence and storytelling in film create a diegetic ambience that creates an emotional gravitational pull into his story promoting his symptomatic meaning of the film. His unique screenwriting and dialogue allow his scenes to be made up of bursts of energy and creative shots to allow his audience to emotionally dive in and connect to his films. When discussing the auteur theory and creativity the first film director that comes to mind is Quentin Tarantino.
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